Catalogue

An English author visits Italy to promote his latest book and give a lecture on the relationship between originals and copies in the world of art. He meets a French art gallery owner and they decide to spend a couple of hours walking through the alleyways of a small village …

Dimitri, a Russian violonist and Anatoli, a shaman, escape from the gulag with the help of two wild horses. The shaman is killed but, before he dies, he shows Dimitri the invisible spirits of being and things which are all around him and which will go with him into the …

Charles Chaplin’s masterpieces as you’ve never seen them!

Discover 10 feature-films, all restored in 2K:

THE KID
MODERN TIMES
THE GREAT DICTATOR
MONSIEUR VERDOUX
THE GOLD RUSH
THE CIRCUS
CITY LIGHTS
LIMELIGHT
A KING IN NEW YORK
A WOMAN OF PARIS

Lobster Films, Cineteca di Bologna and the British Film Institute jointly restored 32 short and 1 feature length comedies that Charles Chaplin acted in and directed between January and December 1914 in Keystone studios, in Los Angeles. An invaluable patrimony to the understanding of Chaplin’s Art.
The Keystone films constitute a …

« It really is an angry film, imbued with a certain darkness and venom in its message. And that message is a very powerful one. » Jim Jarmusch

« It doesn’t show a good man or a bad man, a good woman or a bad woman – it shows a human being. » Liv Ullmann

« The fact we know Chaplin from childhood, maybe that does mean, as viewers, that we’re quite literally taken back to that first viewing experience. And then of course there is something childlike about Chaplin. » Peter Lord

« When I see the end of « Limelight » again, I feel close to doing something which, alas, doesn’t happen to me often: crying. » Bernardo Bertolucci

« When Charlie is caught in the cogwheels of the machine, it’s like film winding through the gears of a camera. It’s a motion picture, from the age of motion pictures which itself was the age of industry, the age of the machine. » Luc & Jean-Pierre Dardenne

« What’s amazing in « Verdoux » is the fact that the women he kills are ugly and unbearable. » Claude Chabrol